Godzilla (8/54) - Bullmark Zinclon Die-Cast Godzilla (1975)

This is a vintage Japanese Godzilla from Bullmark, molded in die-cast metal with a variety of unique features (particularly for Godzilla!). I am not the original owner, and lucked into this incomplete (albeit attractive) rarity for a very reasonable price some years ago. A few different color variations were produced in the handful of years that these were available; I believe a brownish version preceded this green version by a few years. 

Godzilla's jaw open as you turn his head to the left or right — a bump under his chin causes it to close when turned face-forward.

Here's where it gets interesting. His chest opens out, revealing an interior where a small plane once resided, as well as several missiles that could be fired from two spring-loaded slots by pressing the red levers on his back. 

There is also a telescoping feature that represents... well... I don't exactly know what that's supposed to represent. I guess we'll just have to assume that Godzilla is happy to see you. 

While I wouldn't mind having a complete, boxed example, these can get very pricey. (A decapitated one is currently on eBay for more than $100!)

There are several other Godzilla characters in this Bullmark series — I'd particularly like to pick up the die-cast Gigan that my friend Mark had growing up. But those tend to run even higher than Godzilla!

 Check back next week when I'll feature yet another item from my Godzilla collection.

I Am Legend (8/54) - L'Ultimo Uomo Della Terra 'Collector Edition' Italian DVD (2008)

I was quite excited when I discovered this DVD collector's edition of L'Ultimo Uomo Della Terra, as it contains both the US and Italian cuts of The Last Man on Earth, the first film adaptation of I Am Legend. (And since the film was shot in English, both versions have an English soundtrack.) 

The disc contains a featurette highlighting the differences in the two versions (a few different cuts during the opening, and an extended dialogue sequence with Ruth towards the end of the film).  

The package also includes a 32-page booklet ...

... five still reproductions ... 

... and these reproductions or promotional images. 

There has been quite a bit of speculation about who really directed the film: the credited Italian director Ubaldo Ragona, or US director Sydney Salkow. It's widely known that Matheson removed his name from the script, and the US release bears his pseudonym Logan Swanson alongside William Leicester. The Italian screenplay is credited to Ragona and Furio Monetti (available on the disc as a PDF download). 

Since Matheson's original screenplay has since been published, it's easy to determine that his published draft was somewhat removed from the script that was ultimately shot.

And while I have since upgraded to Blu Ray version of the Italian cut (in order  to preserve it in the best resolution available), the collector's package will always be a keeper!

Come back next week for treasures from my I Am Legend archive!

Creature from the Black Lagoon (8/54) - 1:4 Scale Sideshow Premium Format Statue (1998)

This huge, 1:4 scale statue of the swimming creature might just be my favorite representation of the Creature. It's almost 2 feet tall, and the Creature himself is 2 feet long from his toes to his outstretched claw.

This was one of those products that I knew I had to pre-order as soon as it went on sale. Not only was I sure it was going to sell out, I knew that I would regret it if I was forced to pay a much higher price on the secondary market. I'm pleased to say that 25 years later, I still have no regrets! 

They did a nice job with the details on the base, including rubber vegetation as well as a fish swimming beneath the Creature. 

When we used to decorate a Christmas tree in the front room during the holidays, we would take forced-perspective shots to make it look like the Creature was placing a star atop the tree!

Come back next week to see the next item I dredge up from the black lagoon!

 

Godzilla (7/54) - Godzilla Suit Actor Haruo Nakajima Signed Monster Photobook (2014)

Haruo Nakajima (1929-2017) was the first actor to do the Godzilla suit in 1954, and he continued to do so for the first 12 Godzilla films of the Showa era [not to mention other key suit-performances, including the title roles in Rodan (1956), Mothra (as larvae) (1961) and King Kong Escapes (1967).]

I had met Nakajima-san in 2014, before I had this amazing book of photographs. When he attended a convention in Santa Clara in 2016, I was thankfully able to get him to sign it as well.

The book has numerous great photos from one of my favorite Godzilla films, Godzilla's Revenge. 

Here are two photos of Haruo Nakajima with his Godzilla suit, which I had signed the two times I met him.

Here we are at Monsterpalooza (or Son of) in 2014.

I'll be back next week with to highlight another item from my Godzilla collection!

I Am Legend (7/54) - Rainbow collection of screenplay drafts for the 2007 film (2006)

If memory serves, it all started with an I Am Legend crew hat. I saw an auction listing on eBay, and decided I needed it for the Archive. Fortunately, I wasn't outbid at the last second (in the days before I had adopted using a last-minute sniping tool).

After I received it, I wrote to the seller to thank them, and inquire if they had anything else from the film. The seller told me what her role was on the crew, and said she thought she still had her original script. I asked if she'd be interested in selling that, and a short time later I had it in my possession. 

Now, don't get me started on Akiva Goldsman, but it I was happy to have a production copy of the screenplay in my collection, and it was interesting to see that his first draft referenced not only the novel, but screenplays by Mark Protosevich, who was the writer when Ridley Scott and Arnold Schwarzenegger were attached. 

Not too long after receiving it, I received a message from the seller telling me that she found some additional scripts, if I was interested. Needless to say, when she made me an offer I couldn't refuse, I took them all. 

Less than a month after the first draft, a full Blue revision updated the screenplay credits to not only list Protosevich first, but highlights that his draft was based on the Matheson novel and the screenplay to The Omega Man by John William Corrington & Joyce H. Corrington — an important distinction to anyone who believes the filmmakers returned to the novel as the primary source — remaking The Omega Man was always front and center (hence the final screen credit as well). It also references previous revisions by John Logan, and Neal Jimenez (and twice more Mark Protosevich), before crediting the current revisions to Goldsman. I have a John Logan screenplay, but I've not had any luck tracking down any drafts credited to Jimenez. The Archive is also missing Tracy Torme's draft, which, while not referenced on this script, his involvement is certainly suggested by the presence of his co-producer credit on the finished film. I did have an opportunity to discuss it with him briefly, and he mentioned that he was the one to bring the dog back from the novel. Something that had been absent since The Last Man on Earth. 

I also received a copy of the full Pink script that followed less than a week later. 

Starting with this script, revised pages were collated with the current full version (so my complete Yellow script has the Green revised pages inserted within it). 

I never thought about just how many revisions would require different colored sheets for revisions. Goldenrod, sure. But Buff?

Salmon, Cherry and Tan?

Is Orchard even a color?

Bellini (peach), Blue Marlin, Greyhound, Pumpkin Martini, Absolut Amore, MIdori Sour, and Rose Bambi. At this point, it's easy to imagine what inspired the alcoholic beverage variations...

Lava Flow and Bailey's Irish Cream led us to Purple Chicken(?) and Pink Panther pages.

And it still continued. I have a few Grasshopper pages and even Smurf revisions, though all of those (and the Pink Panther pages) are all printed on white paper. It was a wonder that there was any colored paper left in the world at all by the time they got to these revisions. 

The crew member also included a crew list, with everyone's contact info (I promised not to share any such info, and for that reason I've blurred out even the outdated information in the image below).

Of even greater interest was a preliminary schedule corresponding to the 8/8/2006 Blue Script. 

Now, if you've read this far, you're probably curious about the changes to the screenplay as it evolved through so many revisions. I am working on an article for bare•bones that will document that, though one thing I will share right now — Neville is alive at the end in every one of them.

I'm very thankful that this particular crew member hooked me up with so many important documents for the Archive!

Check back next week, as I reveal even more treasures from the I Am Legend Archive!

Creature from the Black Lagoon (7/54) - 6" Glow-in-the-Dark Marx Universal Monsters (1990)

In 1963, Marx released a series of six static posed Universal Monsters figures. Though Dracula was noticeably absent, the line-up consisted of Frankenstein, The Wolf Man, The Mummy, The Phantom of the Opera, The Hunchback of Notre Dame, and the fan-favorite Creature from the Black Lagoon. (Apparently Dracula needed the Hunchback's agent.) As for the Creature, the presence of leg chains identify him as being from Revenge of the Creature (1955).

This Glow-in-the-Dark release is from 1990, and a great example of a piece of merchandise that continued to appeal to collectors decades after the original issue (though you can tell that the molds had seen better days by the times these were cast!). 

Of the glowing Creatures in my collection, I have to say that this is hands down the one that looks his best when he's in full glow mode. 

 Be sure to check back next Friday for another item from the Creature collection!

Godzilla (6/54) - The Art of Japanese Monsters 100-copy signed limited leatherbound hardcover (2014)

Having been a small press publisher myself, I know you don't hesitate when you have a chance to pick up a reasonably priced, extremely limited edition of a book you're interested in. 

So when I heard about Sean Linkenback's The Art of Japanese Monsters in 2014, I splurged and ordered one of the 100-copies bound in leather, signed and numbered by the author, and including a Bob Eggleton art print featuring Godzilla suit actor Haruo Nakajima and actor Akira Takarada, and signed by all three.

The book collects hundreds of images of promotional artwork from Japanese fantasy films. It's a fantastic collection, including the Showa and Heisei eras of Godzilla (including several of my favorite painted posters by artist Noriyoshi Ohrai). It's a treasured Godzilla related title in my library. 

 Check back next Wednesday for another item from my Godzilla collection!

I Am Legend (6/54) - Signed Walker Hardcover (1970)

This is it. The 1970 Walker hardcover was the first edition of I Am Legend that I read (in a single sitting, on a Saturday afternoon when I was around 12 years old).

This was the first English-language hardcover edition of Matheson's novel, published 16 years after the Gold Medal paperback original. Walker's books were in large part targeted to libraries, which is why most copies you'll find for sale (and every one of the six copies in the Archive) is an ex-library edition. 

The cover art is by celebrated artist Jack Gaughan — perhaps depicting our protagonist Robert Neville haunted by artistic representations of the evils tormenting him (by no means the traditional vampires that appear in the book). Gaughan did a number of covers for Walker in a similar style for classic science-fiction novels, so a case could be made that he had created a bunch of artwork, and someone in Walker's art department decided which piece fit best with each book. We'll probably never know.

As the artwork is definitely not a literal representation of anything in the book, it wasn't my favorite cover at the time (back when I only knew of two versions) — whereas Tony Gleeson's artwork, while not depicting a specific scene, at least provided a clearer representation of a stake-wielding Neville and his vampiric foes. I've come to appreciate Gaughan's cover more over the years, and always keep one eye open, in case the original illustration turns up.

My copy is one of a small handful of editions in the Archive that are personally inscribed to me. I have a number that are just signed, but the most important editions were signed to me in person.

At the time I was working in a bookstore, I was frankly disappointed that the book had been out of print for a number of years (the intermittently available Science Fiction Book Club edition notwithstanding). I reached out to Walker to see if they still held the hardcover reprint rights to the novel, and much to my surprise, they replied. 

Even today, I'm surprised that Walker was still around as late as 1989. I've held onto that letter for all these years (in my signed Walker hardcover). Even though we had started down the path of publishing books at Deadline Press by then, I didn't think we were in any position to approach Matheson about reprinting his novel (and it was only a few years before Gauntlet would publish a 40th anniversary signed/limited hardcover edition). 

But it confirmed that Don Congdon Associates was still representing Matheson, and so as questions came to me in subsequent years, I was able to direct them accordingly. 

Be sure to come back next Monday, when I'll share yet another item from my I Am Legend collection.